Indonesian Crop Circles of 2011
Part Two
 The Fourth Indonesian Crop Circle Formation  
How the Creator Creates
by Joseph E. Mason

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Image credit: Nur Agustinus

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Image credit: Nur Agustinus

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 modified glyph 

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page 226

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page 227

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page 139

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page 127

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The rotations of the various circles in the Menorah crop circle formation are quite significant, I believe. The three circles on the top, left side had a counterclockwise rotation. The center and right three circles on top had a clockwise rotation. When the diagram is rearranged, as above, into a pattern similar to The Tree of Life, the three counterclockwise circles are on the left, and the three clockwise circles are on the right. This seems to confirm the Tree of Life association with the Menorah, because the left Pillar of the Tree of Life has three spheres that are associated with the feminine aspect, and the right Pillar has three spheres associated with the masculine aspect.

I saw a "Y"-shape that was also a woman's body where the legs meet. Three energy lines moved from the center, two outward and one downward. Then I saw it again but this time there were just the two outward energy lines. As I saw this, a voice said: "Some say there are three ways of unfolding the world. We say two."

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page 125

I find this verified among the Egyptian symbols, as the glyph shows. Here we find the Monotheistic Symbol of the Deity within the triangle -- within Heaven. Wherever or whenever the equilateral triangle is met with in ancient writings or inscriptions, it is either in reference to the Triune Godhead, or Heaven, or both.

At the time of Confucius, the Chinese Sage, about 500 B. C., in place of the triangle the Chinese used a glyph in the form of the present-day capital Y. This they called: "the Great Term," "the Great Unite," "the Great Y." "The Y has neither body nor shape, all that has body and shape was made by that which has no shape. The Great Term or the Great Unite comprehends three -- One in three -- and three in One."

According to Seth, the kernel, the heart, the very basis upon which all existence builds is the quantum ("the smallest discrete quantity of some physical property that a system can possess") - the very thing that scientists and religionists and theorists have been trying to identify, for these many centuries. Seth reached out his jolly little finger, said, "Oh, it's there, all right," and named the smallest indivisible particle: Consciousness Unit. And with that gesture, he redefined "Life."

Life, he said, exists on an infinite number of "planes" or "levels," only one of which is the material world as we know it. And the quantum that is common to all is the Consciousness Unit. That means that everything seen and unseen is comprised of consciousness - a consciousness whose solitary goal is to expand, to become more of itself.

That is what existence is all about, starting with the infinitesimal quantum, enlarging to galaxies, encompassing "life after death" and every plane of existence: Expansion - becoming more.

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page 105

Reason Tao made One.
One became two.
Two produced three.
From these three, all mankind descended.  

The Tao produced One;
One produced Two;
Two produce Three;
Three produced All things  

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AUM Triangle
page 276

A = Ahau Masculine -- Father
U = Feminine -- Mother -- She
M = Mehen, the engendered -- The Son -- Man  

North - Sun, Sulfur
Southwest - Moon, Salt
Southeast (ratchet spiral) - Mercury, Quicksilver  

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 Pythagorean Tetraktys 

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  1991 Barbury Castle
Crop Formation

In the boundless light of the Unmanifest before creation the analogy to the cone was the will to achieve the desire for self awareness. What began as a fleeing from the limitless outer reaches of the All became a turning circle, then an inward spiral as the Eye of God crossed the boundary of balanced forces and sought to find itself by manifesting a point.

Thus the spiral began as a negative motion of withdrawal and wrapping inward for protection, then became a positive and active striving to realize the center of Self . . . A traingle widens down from its apex down to its base, thereby emerging into manifest existence.

Implied in ritual evocation is a similar but mirror-opposite triangle on the far side of the Veil of Unknowing. Since magical energy is not projected through the physical universe . . . it is sent through the dimensionless Unmanifest by means of the point doorway opened by spiral motion.

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Image credit: Andrew King

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rotated
crop circle

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 modified glyph

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In My universe there is but one form from which all forms appear. That one form is the pulsing cube-sphere, two halves of the heartbeat of My dual thinking. All forms pulse, therefore, all forms are two, one form for the inbreathing pulse, which generates, and one for the outbreathing, radiating one. The cube is the sphere expanded by the outward breath to black rest in cold space, and the sphere is the cube compressed to the incandescene of white-hot suns by the inward breath.

For, to thee I again say, all things are Light; and Light separates not; nor has it bounds; nor is it here and not there. Man may weave the patterns of his Self in Light of Me and of his image in divided lights of Me, e'en as the sun sets up its bow of many hues from divided Light of Me, but man cannot be apart from Me, as the spectrum cannot be apart from the Light of Me . . . Verily, I say, every wave encompasseth every other wave unto the One; and the many are within the One, e'end down to the least waves of Me.

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Sufi Concept of the Breath of the Compassionate

Lucy Pringle

 Stuart Dike  

Freddy Silva

Ron Russell
 Crop Circle Anomalies  

Steve Alexander
 and Karen Douglas  

 Peter Sorenson  

Werner Anderhub

Frank Laumen

.Janet Ossebaard

 Clemens Richter

Julian Gibsone

 Eva-Marie Brekkesto  

Bert Janssen

Jan Schwochow

Olivier Morel

Graham Tucker

Nick Nicholson

Andreas Müller

ICCRA

Colin Andrews

Andrea Feliziani

Patricia Murray

Seiichi Nakazato

David Russell

Richard Wintle
Calyx Photo Services

Andrew King

Richard Harvey

Russell Stannard

Doe Kelly and
Andrew Wheeler

Summer Garland

A.J. Samuels

Rob Speight

Jim Miller

What!!! On Earth???
By Michelle Jennings

The Toot Balden crop circle, reported July 7, 2007 conveys to us another fascinating message in such a succinct, yet multi-faceted way. My main area of knowledge is symbolism and traditional mythology, so hopefully it will complement the mathematical and scientific information that has been coming in regarding the crop circles this year.

Hexagram is contained by, and to some extent, defines the hexagon. Symbolically, the hexagram stands for the yin/yang, the union of male and female, and the sacred marriage. It represents primordial energy and the Source of all Creation, the Great Androgyne. In Jungian terms, it represents the union of opposites, i.e.of the personal, temporal world of the ego with the non-personal timeless world of the non-ego. Ultimately, this union is the fulfilment and goal of all religions. (Penguin Dictionary of Symbols) At Uxmal, Yucatan, it is a symbol of the sun shedding its rays on earth the fertilization of earth. The hexagon itself symbolizes a dying, or surrender to a greater force in preparation for new life, something like what happens to bees over the winter in the hexagonal cells of the honeycomb in order to re-emerge in springtime.

The cube, which in this formation is represented by the interior hexagon with the y lines to indicate the 3D cube, is a symbol of earth and its four corners corresponding to the sunrise, sunset, midday, midnight and to the solstices and the equinoxes. It also brings forth the concept of solidification, stability, (therefore truth and the base for the throne of the goddess, e.g. Cybele, Rhea). In Chinese tradition it is representative of the earth deity. In Mayan tradition, the Tree of Life grows from the Centre of a Cube. It symbolizes the material universe and the New Jerusalem.

Previous crop circles that feature the hexagon, as the main characteristic of the lay, with some indication of the cube, are: the Juggler's Lane formation of August 2005; Avebury Henge July 2005; Avebury Trusloe June 2005; Deacon Hill, June 2003. In an article I wrote about the Juggler's Lane formation, I noted that the whole design was suggestive of the iron crystal formation of the Earth's core (Ideas and Associations Regarding Juggler's Lane, near Cherhill, Wiltshire, August 21, 2005). The Avebury Henge formation was considered by some to be referring to the water crystal and Dr. Emoto's theory (The Love and Gratitude Formation).

Juggler's Lane, Cherhill, Wiltshire, 21 August 2005

Avebury, Wiltshire, 24 July 2005

Windmill Hill, near Avebury Trusloe, Wiltshire, 23 June 2005

Deacon Hill, June 2003

The point I am getting at here, is that these particular types of formations are referring directly to Earth and the material dimension: earth, water, fire, air. These four elements are associated with the first four chakras, with the fourth, the Anahata (meaning: a sound not made by striking, i.e. Om) chakra the heart chakra being represented by a twelve-petalled pink lotus whose centre is a smoky coloured hexagram. This chakra is the centre where material and spiritual energies meet, join, and interact. It is the balance, and therefore a stabilizing force, as is suggested by the cube form in the centre of the Toot Balden crop circle.

Anahata Heart Chakra

The rays in this formation seem to be coming from the cube centre. Light seems to be coming from the inside in this formation. Is there some new way in which our own earth and matter will manifest? Will the long-perpetuated association of matter with darkness and evil become a perception of the past? And will we be shown another side of matter that has until these times had to be hidden? Some 2006 references to quantum changes and space-time perception seem to support these ideas.

It seems that the Toot Balden crop circle supports a message that is bringing us to a new understanding of ourselves, of our material world and of the Earth itself in relation to an ever-evolving universe....

A diagram in Sufi, Expressions of the Mystic Quest, that is quite similar to the 1991 Barbury Castle triangular crop formation --

It is part of several ideas that represent how creation is created. It is said that the "why" of creation is "For Knowledge of Self." The Divine is Infinite and Knowledge of Self is part of Its Infiniteness. The "How" of creation is diagrammed as shown above. Creation begins with the One point, and becomes the line labeled, "Knowledge of Self." The top circle of the line is "Knower." The line is "knowledge." The bottom circle of the line is "Known." The second glyph, which looks like an upside-down "Y," is labeled "Active Agent." The top arm of the upside-down "Y" is "Knowledge of Self," which is the same as the top glyph, the line. The left arm of the upside-down "Y" is "Command." The right arm is "Will." The third glyph, the plane triangle, is labeled "Passive Recipient." The top, left, and right points of the triangle are "thingness, obeying" and "hearing." The bottom glyph combines the upside-down "Y"-shape within the triangle.

The Breath of the Compassionate

The preparedness within a thing, it's inner Archetype, is actualized in an intelligible form at the moment when its Name flows into it through a Word. The Divine Spirit or Logos flows into a thing through the process of the Divine Breath, the Breath of the Divine name Rahman, Compassionate. The Name of the Compassionate manifested through the Divine Breath, is just one of the many symbolic processes which the traditional craftsman emulates. By blowing or chanting the Divine Names upon the form to be transformed, the creative process of the breath, which contains the Divine Presence through a Name, transforms the object in hand. The creator participates as active agent and the object participates as passive recipient.

There is a Tradition of the Prophet in which he says, 'God created the universe through the Breath of the Compassionate.' The Compassionate (Rahman) is the highest of the Names, Ideas or Archetypes. 'Where was your Lord before creating the visible Creation?' someone asked the Prophet. His answer: 'In a cloud. There was no space either above or below.' This cloud which the Divine Being exhaled, and in which it originally was, receives all forms at the same time as it gives beings their forms. It is the act of making things to exist. The Absolute, appearing in the Name, Compassion, overflowing with goodness, gives existence without limit and without end.

When the desire to be known, the preparedness, arises within a thing, the Divine as Compassion extends Itself as Archetype to the thing and becomes its receptivity, its ability to receive the theophany. This receptivity is actually what the Archetype, in its state of concrete essence, desires. Therefore, the actual effect of Compassion is to give a thing the possibility of receiving sensible existence. Compassion is given without any discrimination; Mercy, the complement, is given only for an act done. Compassion, in a sense, is the universal form of Divine giving; Mercy is the particular aspect.

Through the Name of Compassion, the Absolute breathes out upon the other Names or Archetypes. This breathing out is a means of bringing things into existence. By means of the Command 'Be!' the Absolute through Compassion sends into the external, phenomenal world that which has been compressed within it.

The Divine Breath pervades the Universe. Just as breath is exhaled and so forms syllables and words, the Breath of the Compassionate, in exhaling Words (intelligible forms), brings the sensible form into being.

This Divine Breath is Nature itself, just as the Breath contains all the forms of the universe in a potential state and actualizes them by exhaling, so Nature holds all forms of expression in a potential state of preparedness in which they await the appearance of the Breath of the Compassionate, the Spirit, the Logos, in order to be known.

This breath is essentially the initial act of the metaphysic of love. Love is the cause and secret of all creation and thereby the principle of all motion from desire to being known. The creation of the world, in this sense, was the motion of love towards perfection and completion. The Absolute loves to be perfect in both types of forms: intelligible and sensible.

Ultimately, one who wishes to know the Breath of the Compassionate need only know Self, for Self is the Lord who is manifested in the form. One's innermost being is most directly expressed through speech. Speech on the human plane reflects the Divine Word or Logos; it was the Word that create the universe and it is through the Word that it returns to God. Invocation (zikr) is the means of reaching the very substance of things within us.

Everything contains the Presence of the Divine. The ideas of intellections in our minds are like those Ideas in the mind of the Absolute. A word contains both a meaning and the thing itself, which has a form. The meaning is permanent, the Divine Idea; the form the thing takes is but a shadow, transient. The Ideas are made temporal through the Breath of the Compassionate. In Sufism, Christ symbolizes the particular Divine Quality of the Breath of the Compassionate, for it is through the Breath that all things receive life. 'When the Word of God comes into the heart of anyone and the Divine Inspiration enters his heart and soul, its nature is such that there is produced in him a spiritual child having the breath of Jesus that revives the dead.' (R. Nicholson, Mathnawl.)

The 'What' of Creation

The universe, in the Sufi view, is being re-created at every moment. At every moment what appears to be a time-connected universe returns to God. There is continuous, instantaneous expansion and contraction.

The manifestation of actualized individual things occurs continually, as in successive waves. At every moment creation is annihilated and re-created. With each heartbeat we die and are reborn. The world is in intense motion, ascending towards the vertical axis within all things to meet the descent of the Absolute in manifested forms. The flow occurs in such an orderly, successive manner, according to definite patterns, that we are unaware of it, and the world appears to us to stay the same. This ever-new creation is a process which only the human form endowed with consciousness of Self can come to know. Arabesque patterns, in rugs or in tiles, witness this conception of constant flux. As Ibn'Arabi expressed it:

'The wonder of wonders is that the human form and all other created things are in a perpetual process of ascending. And yet one is not ordinarily aware of this because of the extreme thinness and fineness of the veil (when one looks at something through a very transparent veil, one does not become aware of the veil between oneself and the object) or because of the extreme similarity between the successive forms. How splendid is God's description of the universe, and of its perpetual renewal with each Divine Breath which constitutes an ever new creation in one single entity! But this is perceived by only a few, as the Quran says: '"Nay, they are in utter confusion regarding the new creation."' (50:15). These people who do not perceive are in confusion because they do not know the constant renewal of things with each Divine Breath.' (T. Izutsu.)

Oglala Sioux

The Native American medicine man, Sword, told the creation story of the four colors -- yellow for rock, green for the earth, blue for the sky, and red for the sun.

All colors are united in the rainbow, and all things are united in a single Great Spirit, Wakantaka. Sword imparted this story --

Who is the oldest? Rock is the oldest, the grandfather.

Who is the next oldest? Earth is the next oldest, the grandmother.

Who is the next oldest? Sky is the next oldest, giver of life and motion.

Who is the next oldest? Sun is the next oldest, above us.

The first elk appeared on the top of the primeval rock and bayed loudly. In answer, the first dawn arose out of the dark abyss which confronted the rock. But naturally the elk, the rock, the dawn, and the abyss, were all really Wakantaka.

Pan-Ku

The god Pan-Ku appears in Chinese art as a dwarfish fellow, scantily attired in leaves or a bearskin cape. Like Moses, he has young horns sprouting from his brow. He holds a hammer and chisel, for Pan-Ku is the world's sculptor. He is surrounded by his helpers: the unicorn, the phoenix, the tortoise, and the dragon.

Aided by his four friends, this amiable demiurge carved out all nature as we see it now. When he began the work, he was an infinitesimal being, hardly more than a speck of dust. Each day he grew larger, for no less than 18,000 years. During all that time he carved upon the only material available, his own body, and in the end he died so that nature might live.

Pan-Ku's hair became the whirling constellations of the night sky. His eyes turned inward, as the sun and moon. Now his breath is earth's atmosphere. His body is the earth itself, and his blood the oceans.

Saying 50

If they say to you: "Where do you come from?,"
tell them: "We have come from the Light,
the place where the Light came into being through itself alone . . ."
If they say to you: "What are you?,"
say: "We are His sons, and we are the elect of the living Father. "
If they say to you: "What is the sign of your Father?, "
tell them: "It is a movement and a rest."