...Now, back to Leedskalnin's secret of the universe which, according to Jim's friend, was encoded on a plaque at the Coral Castle. The formula was:

7129 / 6105195

Now, of course we don't know exactly what that means. It looks like a division formula but as such it doesn't yield anything of any particular interest, at least as far as we can tell. When I say "we", I'm speaking of Michael Morton and Joe Turbeville. These are two number crunchers I've mentioned in previous CodeZone articles. (Book plug! Joe has a new book out! The title: A Glimmer of Light From the Eye of a Giant: Tabular Evidence of a Monument in Harmony with the Universe. Email Joe at josepht@tri-county.main.nc.us for information on how to order or go to www.Trafford.com.) But all three of us were curious about Leedskalnin's numbers and Joe was the first to come up with something. How significant it is, we don't know but, like so many things out here in the Code Zone, it was interesting and yielded some curious synchronicities.

About a week or so prior to getting Jim's email about Leedskalnin's secret, we'd been involved in some other work having to do with Imperial measures. For my part, I was working on the alphanumerics of various measuring units by name. I happened to notice, among other things, the alphanumeric value of the word "FOOT" is 56. Here's what I found:

FOOT = 56
A foot is 12 inches...
56 / 12 = 4.666666667

Now, it just so happens that the alphanumeric value of the word "NINE" is 42 and if 42 is divided by 9 the quotient is the same as 56 / 12.
42 / 9 = 4.666666667

It's important to recall, as I've explained in detail in previous CodeZone articles, that the number "9" is a major key factor in the work I do and it appears to have been a key factor in the knowledge of the ancients as well. It's also important to recall Michael Morton's observation that it's the "self referencing" aspect of all this "code" stuff which is intriguing. The remarkable amount of synchronistic self-referencing is, according to Morton's thinking, a function of what he calls the "unified field matrix". In other words, the fractal nature of the "code" in terms of the "bigger picture" as Peter Gersten would call it.

Jumping ahead now to the Leedskalnin numbers, Joe wrote:

<< The first thought I had when I saw it (the Leedskalnin formula) was " maybe it's a product / sum ratio"

-- I bump into them quiet often ! -- 7129 is a Prime number -- I played around with the 1st idea for awhile and wasn't getting anywhere.
Then I got the idea to take the product of the digits in the 1st number and divide it by the sum of the digits in the 2nd number --- Bam !! -
126 / 27 = 4.66666... -- Gary's ANV (Alpha-Numeric Value) of "NINE" (which is 42), divided by "9" . >>

At this point let me direct your attention to the photo of Ed Leedskalnin. Notice the plaque he is holding. It shows his first name and the initial of his last name. A rather odd thing to be holding for a nice portrait shot. But then Leedskalnin was an odd man. Was he giving us another clue? Was there something encoded in these letters? I noticed the inscription "ED.L." could be translated into the alphanumeric equivalent of 54.12. (in other words, E = 5, D = 4, L = 12). I noticed that 54-12 = 42, the same as the alphanumeric value of "FIVE" and of "NINE".
5x9 = 45, the mirror of 54!

I also noticed 54+12 = 66.

If we add the 42 plus the 66 we get 108 which just happens to be the alphanumeric value of the phrase "ENGLISH INCH". There's a self-reference to the idea of the Imperial unit of measure.

Also,

108-54 = 54, self referencing the 108 back to the number we started with. Also, 54 is the alphanumeric value of TONE, the significance of which we will see later on in this article.

Continuing on with the rest of Joe's findings now, he wrote:

<< Then multiply 7129 x 4.66666... next get the cube root - you should have 32.16215434. >>

(9/29/01 Note: In a past study of associating a Tzolkin and a I-Ching with earth and the sun, I calculated the following number, 32.24903 being associated with the suns extrapolated magic square-Tzolkin which encompasses the extrapolated magic square-I Ching just as the earth does with a smaller magic square-Tzolkin / I-Ching:

55.3 Diagram. Magic Square, Ben Franklin's 8 x 8 I-Ching Kua

The square root of:

The I-Ching, 64, of the earth = 8
The I-Ching, 256, of the Sun = 16
The Tzolkin, 260, of the earth = 16.124515
The Tzolkin, 1040, of the Sun = 32.24903

Is 32.24903 and 32.16215434 the same gravity number that varies from time to time? If these are the same, then this could be a gravity link between the gravity "constant" and the suns Tzolkin magic square.)

MetPhys

Back to Gary's mail:

Joe noted that this 32.16215... is a very close approximation of the gravitational constant of g = 32.1652. Joe notes, further:

<< Since it's really not a constant ( it varies slightly about the Earth's surface), this then is a pretty good value. >>

So now we have possible references to two elements which may be key factors in Leedskalnin's secret: (1) units of measure and (2) gravity. This would have some correspondence to Leedskalnin's rather simplistic statement that he understood the laws of weight and leverage. So far the units of measure we have worked with have been the INCH and the FOOT. We have not yet experimented with measures of weight. I did notice, however, this interesting synch:

ENGLISH POUND = 144

144 not only reduces to 9 by the convention of "cross adding" (1+4+4 = 9) but the number 144 is a major gematrian number and figures prominently into my own work with the gematria of the English alphabet.
For example,

NINE IS THE KEY = 144.

Also, as I noted in CodeZone No.21:
FOUR = 60
FIVE = 42
NINE = 42
Now add those ANVs and what do we get?
60+42+42 = 144

And back to Leedskalnin's number 7129, if we multiply those digits we get:

7x1x2x9 = 126
Synchronistically, the alphanumeric value of ONE TWO SIX is 144.

The ANV of the phrase ENGLISH OUNCE = 132

If we subtract ENGLISH OUNCE (132) from ENGLISH POUND (144) we get:

144 - 132 = 12, the same as the ANV of the letter "L" in the inscription "ED.L."

Also, in the inscription "ED.L.", the Alpha-Numeric Value of ED is 54.

144 - 54 = 90, the same as the sum of the ANVs of INCH and FOOT:
INCH = 34
FOOT = 56
34 + 56 = 90

What might we speculate as a result of these numerical synchronicities? We've seen Leedskalnin's numbers led Joe to find the approximation of what is known as the gravitational constant. We've seen that Leedskalnin's numbers led to the number 4.66666 which correlated with the alphanumeric value of NINE when that value (42) is divided by the number "9". We've seen how Leedskalnin's numbers seem to correlate synchronistically with key gematrian numbers which, in turn, are related to the value of 9. Most of the work so far has been with the first portion of Leedskalnin's formula (7129 / 6105195). We could note here, in closing, that the sum of the digits in the second portion of that formula is 27 which also reduces to 9 by cross-adding (2+7 = 9). We might also note here that 27 is encoded within the structure of the English alphabet when each of the letters from opposite ends of the alphabet are paired. For example, A+Z = 27, B+Y = 27, C+X = 27, and so on. Given this, it is interesting to note that there are a total of 13 pairs in that set of 2-letter combinations.

(9/29/01 Note: 13 pairs will be explained in a future File pertaining to the Sumerians base-12 as a counting system where the vibrations of the number 13 would represent an octave - the first counting unit on the next "level," just as 10 is the next "level" of the number 1 when using a base-10 system. The vibrations of the number 13 as an octave can be seen on a conventional piano if you were to play a "chromatic" scale, where you go from C to C playing both white and black keys. Each scale will have 12 notes before resolving to the Octave on the 13th. Also, 12 fifths spans 7 octaves and requires a 13th and the phenomenon of two different divisions of the year into two slightly different lengths of months strikes a very close parallel with Pythagoras' comma, with its two slightly different sets of twelve notes around the circle of an octave. Moreover, the File will explain the 13 semi-tone seperations pertaining to the intervals from a minor second to a major ninth, plus a particular 53 note scale of a "double helix" in the domain of the musical tone system...the "sharps" and "flats' furnishing helical formations, each separately split with the Pythagorean comma (Ptolemaic comma?). Furthermore, the 4 groups of 13 drums of the The Tibetan Hurling Stones total 72 = MAGNETIC, the reverse of 27 used to levitate the stones. 19 musical instruments were set in an arc of 90 degrees (144 - 54 = 90, the same as the sum of the ANVs of INCH and FOOT) at a distance of 63 metres from the stone slab. 19 being the sum of Leedskalnin's 7+1+2+9..., 63 being the reverse of 36 and 72 being the reverse of the sum of Leedskalnin's 6+1+0+5+1+9+5 = 27.

The following is an extrapolation of the number of drums and trumpets, in the 90 degree quarter-circle (jpg), extrapolated into a complete circle (360 degrees), totalling the number of musical instruments x 4 quarters. This will give a levitating disc by way of electrically generated tones, using harmonics, or perhaps, dissonance to disturb the harmonic matter of the disc.

Extrapolating to The Disc

To extend to a circle, place 19 tone generators in 1 / 4 circle, giving us 19.

To extend tone generators in the next quadrant requires subtracting 1 tone from the 2nd quadrant because there are already 2 tones at each 'end' of the first quadrant. Therefore the 2nd quadrant will only require 18 tones.

The 3rd quadrant will only require 18 again.

The 4th and last quadrant will require only 17 tones because the 1st quadrant has a tone at the beginning of its quadrant, as does the 3rd quadrant at its end.

A total of 19 + 18 + 18 +17 = 72 tone generators should levitate this disc with the proper diameter.

6 and 13

The drum and trumpet positions can be assumed to be alternated, 13 drum tones equally interspersed with 6 trumpet tones per quadrant. This implies that a total of 13 drum tones and 6 trumpet tones must occupy each 90 degree quadrant, not quite reaching the 90 degree divisions of the circle. 13 drum tones per quadrant gives 14 spaces for 6 trumpet tones between...Beginning with the 90 degree line, a trumpet tone can be placed there, then, skipping 3 spaces, place a trumpet tone there, skipping 3 more spaces, adding another trumpet tone, giving us 6 trumpet tones per quadrant, beginning and ending exactly on the 90 quadrant lines. To extend around the circle required that 2 trumpet tones are overlapping on each quadrant line. Beginning the count several other ways by counting spaces or drum positions only gives us 7 tones per quadrant...not acceptable.

Another acceptable arrangement of trumpet tones is to divide 90 degrees by 6 tones giving the spacing of tones per quadrant, in degrees, namely, every 15 degrees.

Having arranged our tone generators properly, and having found the proper frequencies to drive the tone generators, the disc should levitate. The proper frequencies should be Phi and its multiples operating the first and third quadrant and Phi and its multiples operating the second and forth quadrant, with control of the craft ranging from a perfectly tuned system between the two opposite quadrants or a de.tuning to a maximum of Phi (1.618) between the opposites to create the beat frequency often heard in levitating discs...the lub...lub...lub of Phi. The closer these two groups of two counter-frequencies or counter-rotating frequencies are to each other, I believe, the higher the disc should rise because the gravity field that is created around the disc cannot occupy the same gravity field that exists around the earth, therefore the earths gravity field will eject the disc out of the earths gravity field, which means it will shoot off into space. )

MetPhys@aol.com

Back to Gary's mail:

Then 13 x 27 = 351. Recalling that the numbers 4, 5, and 9 are key to this work (as well as the alpha-number versions, FOUR, FIVE, NINE), we can see a possible connection to Richard Hoagland's hyperdimensional figure of 19.5 as shown here:

19.5 x 4 = 78
19.5 x 5 = 97.5
19.5 x 9 = 175.5

The sum of those products is 351, the same as the product of 13 x 27.

Also, regarding the number 27... Leedskalnin's number 6105195 sums to 27, the harmonic of...
270 = EAST+WEST+NORTH+SOUTH

Maybe Leedskalnin's secret had something to do with directional alignments, ley line energies, gravitational forces and time? If we take the above mentioned sum of 27 and reverse it we get...

72 = MAGNETIC

Now, recall from a few paragraphs back, that 54 (the alphanumeric equivalent of E and D) is the alphanumeric value of the word "TONE".

Joe noted...

7x1x2x9 = 126

And I noticed this...
126 = MAGNETIC TONE

This idea of "tone" or "sound" in conjunction with "stone" fits nicely with the number 144 mentioned previously:

CIRCLE OF TONES = 144
CIRCLE OF SOUND = 144
CIRCLE OF STONE = 144

And we'll wrap it up by noting that 351 is the mirror of 153 which is also a key gematrian number (a number which turns up in the Bible in a couple of places such as the 153 fish mentioned in John 21:11). We've noted in previous CodeZone articles that the idea of reversing numbers seems to be an element of the "code". When we reverse the 351 to 153 and add them together we get this:

351 + 153 = 504

If we drop the zero, we find the numbers 5 and 4, the values of E and D in the inscription ED.L. as seen in his photograph. But, even more significant, perhaps, is this:

NINE IS THE KEY TO UNDERSTANDING CONSCIOUSNESS = 504.

Then, speaking of reversing numbers...
REVERSE THE NUMBERS = 217

This looked familiar. Where had I seen it? Ah! It's the reverse of the 712 in the Leedskalnin number 7129! So it occurred to me to see what the difference was between the numbers 7129 and its reverse of 2179... Guess what?

7129 - 2179 = 4950

Drop the zero and here, again, we see the numbers 4, 9, and 5.

What did Leedskalnin know that we have yet to figure out? Did his secret have to do with consciousness? With frequency? With linear measures? With weight measures? With gravity? With all of the above in a specific combination? Did he know how to manipulate what Michael Morton calls the unified field matrix? Did he leave us clues as to what he knew? It's all still a mystery and the answer is waiting... somewhere out there...

...in the CodeZone.

©2000, Gary Val Tenuta

99.45.12 Re: Re: Re: Coral Castle (MetPhys) 

From: MetPhys
Date: 10/01/01

Number Research: http://hometown.aol.com/MetPhys/indx7779bs.html

Number 9

Nine as center of Fullers "bowtie 9 oscillations.

The 7 note and 2 'gaps' (bearers of new directions) = 9 links of a chain- 3 groups of 3 links each).

"It is as though, around every point, 9 more subordinate points are grouped, and so on to the atoms of the atoms".

Along the right, inner side of Plato's Tetraktys are the numbers 1, 3, 9, 27- denoting molecular vibration ratios. The column at right contains the double intervals of Bode's Law.

Each level of the Tetraktys is tagged as:

1:
2:
3:
4

1 : 2 is the octave. (9)?
2 : 3 is the perfect 5th.
3 : 4 is the perfect 4th.

Vector equilibrium shells have a total of 9 (8+1) operational conditions relating directly to 8 integers and 9 = 0.

Number 13 The complete 9 octave?

(MP) The reason "bare charge" is noted here, is that I suspect this configuration is the postulated 12 spheres encompassing the 13th center gravity-sphere, making the center sphere "a large and possible infinite negative charge", otherwise known as the vector equilibrium of B. Fuller.

(MP) The I-Ching, being a 13 x 20 grid should also reflect the toroidal shape of the vector equilibrium-13 ball-this side / other side-4D-gravity spheres.

Calendrical properties operating in the I-Ching bear a relation to the lunar year of 13 lunations and to the equinoctial precession, as well as the sunspot cycles.

There also appears to be a 55,500 year cycle (Note to Jerry: Is this your 55,000?) in the motions of the planetary orbits relative to each other. That period is 24 times 2315 years which makes it a member of the same family. I mentioned a problem. It is that 2315 years divided by 178 years is 13.00 almost exactly.

Number 27

(MP) "Several observations can be made about this distribution of charges (of the color quark). First, there are 27 possible combinations", of 3 charges when each charge can have any one of three values"...

The Ideal Construction of Planets.. This Diagram is an arrangement of planets and sun in ratios as follows:

Terra- 9
Lune- 27
Mercury- 81
Venus (Soleral)-243
Mars-729 or 27^2
Saturn- 364.5 or 27^2/2
Jupiter- 4920.75 or 27^3/4

(MP) Number 32 and The Theory of Discontinuous Groups

(MP) The most perfect receiver on earth is a certain crystal shape according to the Miller Indices. That shape is the Octahedron (two Giza pyramids base to base). It is the only crystal of the 32 groups, that has all perfect 111 faces.

(MP) ..."and the numbers of electrons in atomic shells to the rule of doubled squares 2, 8, 8, 32, 50......, the 32 symmetry groupings of crystals (1+1 = 2, 1+1+6 = 8, 1+1+6+10 = 18, 1+1+6+10+16 = 32)".

(MLM) 32 / 36 = 0.888888889 = 144 / 162.

(MP) 32 / 36 divided by 2 = 16 / 18 divided by 2 = 8 / 9 = 0.888888889
144 / 162 divided by 2 = 72 / 81 divided by 2 = 36 / 40.5 divided by 2 = 18 / 20.25 divided by 2 =
9 / 10.125
9 x 2^5 = 144
10.125 x 2^5 = 162
8 / 9 = Pythagorean comma (Ptolemaic comma?)
9 / 10.125 = 0.88888888889

Number 42 No information.

Number 56 = FOOT

...Mr. Poole had 100 note to the octave, of which 39 arose from the harmonic sevenths. If the skhisma were neglected there would remain only 36 tertian and 20 septimal, or in all 56 tones to the octave..... With regard to the double diatonic or dichordal scale...

Numbers 7129 / 6105195 Neither number found in any Fibonacci number series up to 500.

(GVT) Maybe Leedskalnin's secret had something to do with directional alignments, ley line energies, gravitational forces and time?

1. Directional alignments- Orientation (polarization) of crystal lattice and N, S, E, W alignment.

2. Ley Lines- The ASM Grid (MLM)

3. Gravitational forces- Reversing numbers.

4. Time- Timing of planetary alignments. It would be an interesting study to know the dates of the construction of Coral Castle and the associated planetary positions at that time.

5. TONE = 54. Using the correct tones of music (singing to the stones). 5ths, 4ths and Octave (9).

Can you expand on this?

MetPhys@aol.com