From: palmerri@uwec.edu
I may have found a clue: If you look halfway down the page at
Quantology you will see this:
"The Magic Of II or Pi
In the ancient books of magic, being lucky enough to have studied some,
there was a set of ancient Egyptian magic books that were called later
by the Arabs "AL-Yazerga".
In these books, the most primordial magical number is the approximate
ratio 22:7, which is "P". The ancient magicians were fascinated by
circles and the fact that you can draw one by rotating a stretched line
fixing the position of one of it's ends and translating the other end
while keeping the distance between the two ends stretched. Due to
investigative curiosity for a relation between the constructor and the
constructed, they found that a radius of 7 units was the best to make a
circumference of approximately 44 units. A line was not abstract but it
was a silk thread that was stretched for constructions. It was not until
the Greek that the line became an abstract such that a straight edge or
the edge of a shadow's cutout could be considered as a line. Hence, in
the ancient papers, a circle was a shape created by a stretched thread
sweeping around itself by one end taking the other end as a reference
anchored to the plane of creation at a dimensionless point. It was
obvious that the circumference that could measure as 44 units in it's
minimum Quantization divided by 4 gave a primary quantity "11". This
fact inferred that the basic block for building a circle is it's
quadrant. When the line sweeps quarter of a circle the point on the
circumference is displaced in the plane by
(9.89949493661166534161182106946789) relative units. This is calculated from the right angled triangle where the opposite side is the square root of [(7x7)+(7x7)].
This approximate ratio "22/7" was a confession, from Euclidean geometry, that it was defeated by Nature.
Although a circle can be divided to four equal parts with orthogonal
divisions, it is unrelated directly to the radius. The circumference is
related to the radius through the hexagons, inscribed and circumscribed.
Six equilateral triangles, heads at center with the circumference
touching the remaining vertices, and six equilateral triangles, heads at
center with the circumference touching the centers of the opposite
sides.
A plane can be described by a minimum of three points, thus, a
circumscribed equilateral triangle is the shape that describes the
maximum arcs.
This infers that the circumference must be a multiple of three." Pi
comes into the picture next...
I can relate to the quadrant but 22/7? Sometimes these ancient
numbering systems make my head hurt... Have a good weekend.
Randy
-----Original Message-----
Thank you Randy,
These old emails are just for the purpose for which you used them. I
think that an archive of emails keeps us studying and responding with more information for all.
I was hoping you could expand on arc segments of perhaps, 40, the old
compass rose but you have now found a 44 arc segment map. I dont know too much about 44 segments other than to note that if a 0 (zero) is added to all three values you brought up, namely, 24(0), 36(0) and 44(0) we have some interesting numbers with which to begin our evaluation.
If you will, please forward copies of all email responses from your
mailing list so I can post them in The Email Sections List
MetPhys@aol.com
I think the "ten factor" you mention may be a key to this. There would
be 11 segments in a quadrant and that is an important number, too. The
four corners would be 0/44, 11, 22, 33. Half of that is 5.5 (or 55 if
you use the 10th power) which equals the number of yards in a rod - a
familiar measurement system. When you multiply the degree numbers they are also interesting: 8.1818, 16.3636, 24.5454, 32.7272, 40.9090,
49.0909, etc. We'll see what comes to this - so far yours is the only
response.
Randy Palmer
I'm using an old message to send this note out as it is somewhat
related. I'm finishing up Lana Cantrell's "The Greatest Story Never
Told" (recommended) and was intrigued by the note she made about an
ancient Arabic map who's arc segments were not 36 or 24 as was the norm.
This one was divided into 44 arcs (8.1818181 degrees each). Maybe you
can help me figure out what the thinking was here...
Randy Palmer
From: MetPhys@aol.com
In a message dated 12/13/2 2:46:09 PM, palmerri@uwec.edu writes:
<< I'm using an old message to send this note out as it is somewhat
related. I'm finishing up Lana Cantrell's "The Greatest Story Never
Told" (recommended) and was intrigued by the note she made about an
ancient Arabic map who's arc segments were not 36 or 24 as was the norm.
This one was divided into 44 arcs (8.1818181 degrees each). Maybe you
can help me figure out what the thinking was here...
Randy Palmer >>
The Solar 366 Hexagram Gives Life to the Organic 72 Pentagram.
These simple truths are further substantiated when the geometry of Heavenly Solar Light and the geometry of Man's Body are combined in what I have named,
The Golden Hexa-Penta-Hexagram
These three circles are related in size by Phi. The largest circle represents the Solar year and therefore has a circumference of 366. The middle circle contains the symbolic body of Man and has a diameter of 72. The inner most circle is identical in nature to the outer Sun circle.ÊThis circle describes the solar essence within Man, his Sol'.
Note the way in which the Pentagram locks together with both the inner and outer Hexagrams:ÊThe feet of the Pentagram stand firmly on the bottom of the larger Hexagram's upright triangle, while the top of the smaller Hexagram's inverted triangle hangs from the arms of the Pentagram.ÊThis union is only possible if the size of the three circles are related by the Golden Section.
Again, the outer Solar Hexagram "gives life" through the function of growth to the middle circle enclosing the Pentagram of Man, while the smallest circle describes the Spirit of the Sun within the body of Man.Ê The Pentagram and this smallest Hexagram are also related by the Golden Section illustrating that Man is able to "give life" to the Solar essence within himself. This can be achieved through a practice known to the ancient Chinese Taoists as the 'Small Heavenly Cycle' or the 'Opening ofÊ the Microcosmic Orbit', in which pure life-force energy collected from the organs is fused together and 'steamed' in an Alchemical-like process into a single energy ball, which is then circulated around the body.
The hieroglyphic symbol of the King of Lower Egypt, the fertile region of the Delta was the bee.Ê The role of the bee is to extract the essence of the living flower, an organic receptor of the Suns life-giving force often expressing it's Phi nature in the number of its petals. Having transformed the nectar of the pentagonal flower into Honey, the bee then stores this golden substance in the form of Hexagonal shaped honeycomb. The King in his role of the Bee, like the Taoist Masters of Inner Alchemy, has the ability to harness the Life force within himself and transform it into the Solar essence often referred to in Taoist texts as the "Golden Nectar".
The frontispiece to the first volume of Roberto Fludds Uriusque Cosmi written in 1617 is remarkably similar to the Golden Hexa-Penta-Hexagram.
In this picture the "year rope" coils around the outer-most circle four times representing the cycle of four years, in which there are three years of 365 days and a fourth year of 366 days to reconcile the loss of the quarter day each year. This four-year cycle is what prompted the ancient Egyptians to call one year a "quarter" as it was only a part of the larger four-year cycle.ÊThe last of these years they called the "Great Year", it contains the extra reconciling 366th day.
The next circle encloses a man who has divided the circle into five even divisions at the points where his head, hands, and feet touch the circumference. The circle's diameter being equal to the height of a man, generally six feet or 72 inches, implies a circumference equal to the number of days in the Venus year.ÊThe pentagonal divisions of this circle therefore relate to the five conjunctions of Venus and Earth, or Venus and Sun if viewed from Earth. This circle and the outer circle are related in size by Phi, thus the (366 / Pi) / Phi = 72 equation arises once more exclaiming "The Encircling Sun Gives Life to Man".
Turning to the innermost circle of the three we find that its size is derived from the Venus circle containing Man by again dividing by Phi. The diameter of this circle is approximately 44 inches and contains four more circles, inside of each are inscribed the four humors of Man.
Met
From: luigi.di-martino@ntlworld.com
Hi Met
Quote from this article:
<< I think the "ten factor" you mention may be a key to this. There would be 11 segments in a quadrant and that is an important number, too. The four corners would be 0/44, 11, 22, 33. Half of that is 5.5 (or 55 if you use the 10th power) which equals the number of yards in a rod - a familiar measurement system. When you multiply the degree numbers they are also interesting: 8.1818, 16.3636, 24.5454, 32.7272, 40.9090, 49.0909, etc. We'll see what comes to this - so far yours is the only response. >>
As you can see this is more evidence that musical intervals and the inversions (implying the axis point at the flat 5th, the Tri-tone) are the building blocks of the universe, covering the surface of the torus shape etc. 8 to 16 = octave, 16 to 24 = 5th etc. These are the overtone/fibonnacci outgrowths that I mentioned to you a while back. Attached to each is a journey of intervals and the inversions, as well as the Indig or Vedic number sequence flows 1/8 2/7 3/6 4/5 etc. The 9/0 is also interesting because it is really a reference to the perfect symmetry at the Dorian.
Luigi
From: MetPhys@aol.com
Hi again
22/7 = 3.142857124857 etc
This is the way the interval partners and number sequence partners flow over the torus, in thirds. The 1 joins with the 8, the 4 with the 5 etc. They then swap over after every sequence of three partners, so the 8 becomes the inversion of 1. Does this cause a spiral of some sort?
The 11 as an overtone flow would be this:
11....22....33....44....etc.
This would equate to Fundamental - Octave - 5th - Octave.
Luigi
From: MetPhys@aol.com
Hi Luigi,
<< As you can see this is more evidence that musical intervals and the inversions (implying the axis point at the flat 5th, the Tri-tone) are the building blocks of the universe, covering the surface of the torus shape etc. 8 to 16 = octave, 16 to 24 = 5th etc. These are the overtone/fibonnacci outgrowths that I mentioned to you a while back. Attached to each is a journey of intervals and the inversions, as well as the Indig or Vedic number sequence flows 1/8 2/7 3/6 4/5 etc. The 9/0 is also interesting because it is really a reference to the perfect symmetry at the Dorian.
This is the way the interval partners and number sequence partners flow over the torus, in thirds. The 1 joins with the 8, the 4 with the 5 etc. They then swap over after every sequence of three partners, so the 8 becomes the inversion of 1. Does this cause a spiral of some sort? >>
At this point we seem to be on the same page in Marko Rodins torus surface and Luigi's musical torus dynamics. Rodin describes the spiral as
groups of 3 flows repeated: Its characteristics are:
The 1st flow is moving top to bottom.
This configuration repeats upon the surface of the torus. I would call these counter-flows "the inversion" (Luigi). The center neutral between these two counter-flows I would call "perfect symmetry at the Dorian" (Luigi).
Moreover, I can perceive the dynamics of EM (electromagnetism) over the surface of the torus, not only as a spiral winding around the surface, "up and down" in forward/reversed paths, but this path previously described in the last paragraph, is itself spiraling as it flows up and down (The analogy is a turning corkscrew moving forward and another turning corkscrew moving backward). I believe Luigi described this spiraling of lines even as the lines themselves spiral thus, "They then swap over after every sequence of three partners" (Luigi). I may need some correction here.
This spiraling within another spiral is exactly what electricity does with its carrier, magnetism. The electric component is lagging 90 degrees behind the magnetic always, both spiraling about each other as both together spiral along some spiral path. The path is always a spiral so we might surmise that the mysterious gravity that is said to be another 90 degrees to both electricity and magnetism, resides in the neutral spiral between electric and magnetism. This implies that the orthogonal, expanding/contracting gravity flow (scalar direction to EM), is both coming (in) and going (out) in perfect balance....and that is the definition of neutral and the 4th dimension...or gravity. Therefore I concluded the 4th orthogonal dimension is perfectly whole, balanced and neutral, or to be more accurate, the seething dynamics of the 4th dimension is perfectly checked and ordered.
This gravity flow is not precisely perfect, for if it were, there would be no dynamics whatsoever in the EM spectrums. We must have some sort of imbalance and this gravity imbalance could be described musically as the Dorian center balance point with 2 groups of 3 to each side, as Major is to minor, thus the unbalance, and so the power flows.
What do you think of this analogy of EM and music dynamics? You may rearrange this explanation if you know of other facts. I believe I have it right but we can work together on improvements of the theory.
MetPhys@aol.com
From: susoni@msn.com
<< PS Luigi.. I notice you are saying that the tri-tone ration is 77 the ANV of Christ, of Power, and of Glory. Couldn't this be more like where he accessed his Christ POWER from?? His Christhood? His Mantle of being Christed? Just curious. >>
Hi Lynda
Great link, and a neat coincidence too. Numbers hide certain information that seems illogical at first glance. Like, why shouldn't a number like 33 be natures way of saying that in between each 3 is an axis point and that, to the left is the note Ab and , to the right is the note E. That would make the center of the 33 the axis point, and the note C/C.
Ab Bb C/C D E = first three notes of C Major reflected in the mirror.
Then , as you say the correlations with the number 77. There was one 77 I didn't mention this time round and perhaps this so called "body" taken on is the fountain of energy (star of David or Merkabah) which is residing at the tri-tone point. The ratio for the tri-tone is 45:32, which, in one of them strange ways, equals 77 too! The ANV of Tri-tone is another story as you know.
btw..33 +44 equals that number too! But then so does 76+1, or 57+20 etc etc. But then 33+66 are like the number partners doubled up and equal to 99, as are 44+55, or 22+77
Time for some breakfast! Peace and Love to All
Lui
----- Original Message -----
From: In a message dated 12/17/2 3:40:25 AM, susoni@msn.com writes:
<< Hello Met.
I've been catching up on some very interesting posts and articles on your site.The New articles listed on Impossible Correspondences will keep my head spinning around theories for a long time to come. I came across a web page just the other night that corresponds with what is being discussed here. I thought I would share it with you.
Sus
From: luigi.di-martino@ntlworld.com
Hi Met
Here is a quote from the site Lynda just sent in:
The Pi of the Egyptians
The height of the great pyramid at Giza is 280 Royal Cubits. Each side of the base of the great pyramid measures 440 Royal Cubits.
Astronomical - Metaphysical Note
The sum of the height (280) plus 1 side of the base (440) = 720 which equals:
a) 1/36th of a "Great Year of Precession" (25920 years.)
2 times 720 = 1440 which is the number of minutes in a solar day.
the place of the "meeting of pairs" (Sets)
1) the place where mortality and immortality meet.
Why not add to this that it is the place where the visible and invisible meet? All this, to me anyway, is yet again about that hidden axis at the tri-tone position (Arthur Noctave). Also these are all multiplications of 720, four times. If we divide up to nine times there are equally cool numbers emerge.
720/1 = 720 (my mum got this one wrong!)
720/5 = 144 = nuff said
Added up these numbers are - 2036.857142857142
The same multiplications again, up to nine times:
720*1 = 720
add up to: 32400
less the 2036.857142857142
equals - 30363.142857142857
Anyway, one can delve deeper and deeper really. One can pair the number sequence partners and take the totals from each other. For example, 1 and 8 are number sequence partners (flow oppositely to each other). The totals here are 720 for the multiplication of 1, and 90 for the division of 8. Together they total 810, a number containing the same two number sequence partners. Or subtracting the two numbers gives 630. Again multiplying by 2 and dividing by 7 yields 1440 and 102.857142, which equals 1542.857142, or 1337.142857. And so on in any way one desires. These paths can also be put to music into special sequences, which is where I believe the real power lies to door opening experiences (grin). Each multiplication of 720 can be taken as overtone values:
720 = fundamental
The division would be the mirror notes (the # =sharp and the b sign = flat):
720 = F# - 47 cents
At the same point as 1440 is 360 on the division side. 360 is also F#, because the movement is an octave either side of the 720 axis. This F# pitch is nearly an F it must be remembered. At the 2160 point is division number of 240. This is the frequency for the note A# -49 cents, nearly the pitch A.
D E F#/F# G# A#
The A# one side does note become Db on the other side, but this is because the pitches are approximations. If we make the F# note an F instead the pitches would get closer together. The differences are like gaps in between each note pair, a place to snuggle up and swap over axis points perhaps?
Any number continually doubled or halved equals one of only three number sequences, 9 - 63 (or 36 in reverse) - 0r 142875, the most prolific being the last one. These are found by doubling a number and then breaking the result down to base 10. So, 720 = 7+2+0 =9. Then 1440 also equals 9 etc. This is one of the three possible sequences that can emerge. If one continually halve 720 the same number sequence of 99999 etc emerges. This is already covered in a previous posting here.
Cheers
From: luigi.di-martino@ntlworld.com
<< The 1st flow is moving top to bottom.
The Mode Box has three flows too. The third flow is to do with the third aspect of the triangle, and can be traced through all the tri-tone points of every one of the fourteen different scales (modes). When you plot down every point you will see that it makes the scale of F# Major (this is for the mode box of C Major).
Tritone point on first line of mode box (Ionian/Phrygian) = F#
These notes form the scale of F# Major. This is the third flow with the mode box.
<< This gravity flow is not precisely perfect, for if it were, there would be no dynamics whatsoever in the EM spectrums. We must have some sort of imbalance and this gravity imbalance could be described musically as the Dorian center balance point with 2 groups of 3 to each side, as Major is to minor, thus the unbalance, and so the power flows. >>
The G# at the center of the two Dorians are akin to the G# mentioned in a Poseidon quote I remember seeing but can't recall where. Also D.C Ramsey describes the neutral center, musically speaking, as being at the two D's, with the outskirts of the musical system being patrolled by the G#/Ab. At these points,then, is the perfect symmetry, and in between is the reaching for these two points , both from the point of view of a contracting and expanding journey. Motion I guess is the reason for the spiral, as well as natural outgrowth of number expressed.
<< What do you think of this analogy of EM and music dynamics? You may rearrange this explanation if you know of other facts. I believe I have it right but we can work together on improvements of the theory. >>
Well, as always I am learning new things everyday from other people and their work. I knew very little about EM and gravity etc until I got on the web and now it is beginning to make sense and I see it tying in musically, yes. Not 100% sure how but I am confident that it is possible to find a unified explanation because all is in a state of vibration and overtones don't lie, they just need understanding. What about the 45 degree angle that seem to play such a pivotal role within symmetry, how does this come into it in your opinion? I have a suspicion it is about the tree of Life and, more exact, a specific point on that tree. Lynda sent me a great explanation on this once. Hey Lynda, go dig it out!!!
Lui
PS....I can see another book coming out of this called the Impossible Correspondence Logs!!
From: luigi.di-martino@ntlworld.com
In a message dated 12/17/2 9:16:58 PM, luigi.di-martino@ntlworld.com writes:
<< What about the 45 degree angle that seem to play such a pivotal role within symmetry, how does this come into it in your opinion? I have a suspicion it is about the tree of Life and, more exact, a specific point on that tree. Lynda sent me a great explanation on this once. Hey Lynda, go dig it out!!! >>
To Sus and Luigi,
I'd like to hear what you both think about the 45 degree angle that keeps appearing in places such as the Mayan Tzolkin as a diagonal band of notes, or in Mr. Leahy's Triple Cube as the diagonal or in the studies of Bucky Fuller.
I think the diagonal patterns that occur on these 2D flat grids is a flow of energies over a surface that is fashioned from a 2D flat grid into a 3D toroidal grid.
Here's two examples of this toroidal grid:
1. The Mayan Tzolkin Grid of 8x8, which seems to exist around the earth as described by Jose Arguelles, and is known by science as the Van Allen Belts. I'm sure the energies of this earth grid, flows in a diagonal, 45 degree manner just as the Mode Box maps its music across the Tzolkin at 45 degrees.
2. The Anu of Besant and Leadbeter as the ultimate, basic toroidal building block of universe. This is the heart shaped unit that appears to have diagonal spiraling lines across it. We see the diagonal pattern mapped as musical notes describing the EM dynamics of these systems (Tzolkin and Anu).
What the diagonal says to me:
If the Mode Box is mapped upon a 2D flat grid, it will appear as a 45 degree diagonal pattern across this flat grid.
If the Mode Box is mapped upon a 3D surface such as the Anu, it will appear as a 45 degree spiraling pattern across the surface.
If a 45 degree musical note pattern is found anywhere upon a 2D flat grid, it may be safely assumed that the flat grid should be folded left to right and top to bottom, so that the grid becomes a 3D toroidal sphere.
And I don't see anything about the Tree of Life that I can work with at this time. Perhaps one of you understand the dynamics moreso? I've been looking at the Tree of Life for years now and can't quite connect it with anything that I usually study, other than knowing that it is a 2D grid of the 3D structure of gold, probably a testament to ORMES or Gold Powder that Hudson is into. Oh well.
MetPhys@aol.com
From: susoni@msn.com
Hi Met and Lui..
I have seen the grids you are referring to, yet my learning leans more towards the geometries of the Cabala. A Lot of People look at the Cabala (Kabala, Quballah) and see a magical system or an esoteric one. Not me, ever since I met Lui and read his musical mirror theory, I have instinctively known that Tipharet (the heart of the tree or Mantle of Christ) is the doorway through to the 'other side'. Most people assume that 'Da'at' (wisdom) is the doorway. No, .. Da'at is and is not even on the tree. It is behind it. The only way through to it is through Christ, the center, the star of David. I'm not talking about traveling through other dimensions or time (yet I wouldn't rule anything out just yet :-).
When I read the supposed 'Emerald tablets of Thoth' I knew they were probably not written by him. What struck me is the information that was hidden in there. It said that interdimensional 'Entities' traveled at angles (as in Lui's 45 degree angle) I am constantly finding little pieces of the puzzle in many different teachings.
I would send him links showing him the geometries of the tree and how they correlate to what he is finding. At first he wasn't even remotely interested (until I mentioned the magic word's '45 degree angle'). Most people only see the tree as a flat one dimensional shape. Its so very much more then that. It's multi-dimensional.
The center of this geometric shape is Tipharet. Tipheret is the golden mean, the point of Balance between celestial and terrestrial. It is (I believe) where Christ tapped into the power source to perform miracles. It connects Macro to Micro, through the golden Spiral. The Fibonacci Sequence is a representation of the human soul. It begins rough, but develops into and converges with the golden spiral of nature. Its planet body is the Sun. It's where Lui's Two triangles 'merge' to form the star.
Surrounding Tiphret is Gevurah (Justice) Chesed (Mercy) Hod (Glory) and Netzach (victory). All four of these sephira are connected to tipheret by 45 degree angles.. Is it a musical connection? A vibrational one? I don't know?
Below are two examples of how I see the geometries on the tree of life. I believe it was a coded message that others made into a religion. The sphere gif could very well show some of the movements in Lui's theories.
Moving Spheres (GIF)
Sus
From: MetPhys@aol.com
Hi Met,
Thank you very much, that is the image that I have in mind when I wrote about my ideas. Thank you very much again.
Christian
-- Messaggio originale --
From: MetPhys@aol.com
<< Christian,
The Anu (GIF) The Anu spiral should be 45 degrees over the surface so that a counter winding in the opposite direction can cross the first at the required 90 degrees, exactly. >>
MetPhys@aol.com
From: MetPhys@aol.com
Lucy Tuning- Pitch, Pi, and Other Musical Paradoxes
LucyTuning * Lucy Scale Developments * Pi tuning
© Copyright. Robert Grace. 2002
To: MetPhys@aol.com
Subject: The Circle as Intrinsic, Absolute Measure, Number 44 (Palmer
Date: 12/13/02
From: MetPhys@aol.com
Sent: Friday, December 13, 2002 9:05 AM
To: Palmer, Randolph I.
Subject: Re: RE: MetPhys- The Circle as Intrinsic, Absolute Measure.
To: josepht@tri-county.main.nc.us, palmerri@uwec.edu
Code UFO, Milamo, ancient_vizier@yahoo.com, dle33@swbell.net, markmccarron_it@hotmail.com, neil@neilfreer.com, arvic@southwest.com.au, Wdestiny44, T0Leo, EGH@topica.com, CDunn1546, Marcio6067@skydome.net, pvigay@cropcircleresearch.com, ophi@greatserpentmound.org, artemis@greatserpentmound.org, ,andy3751@hotmail.com, maryweav@hotmail.com, KTotzek, Kynthia@kynthia.net
Subject: The Circle as Intrinsic, Absolute Measure, Number 44 (MetPhys)
Date: 12/16/02
To: MetPhys@aol.com
Subject: The Circle as Intrinsic, Absolute Measure, Number 44 (luigi)
Date: 12/16/02
To: luigi.di-martino@ntlworld.com
Subject: The Circle as Intrinsic, Absolute Measure, Number 44 (MetPhys)
Date: 12/16/02
To: luigi.di-martino@ntlworld.com
Subject: The Circle as Intrinsic, Absolute Measure, EM and Music (MetPhys)
Date: 12/16/02
The 3rd flow is between them and seems to be the neutral.
The 2nd flow is moving bottom to top.
To: MetPhys@aol.com
Subject: Pi, Star of Bethlehem, Magi, Astronomy, Archeology (susoni)
Date: 12/17/02
To:
Sent: Tuesday, December 17, 2002 4:01 AM
Subject: Fwd: Pi, Star of Bethlehem, Magi, Astronomy, Archeology
susoni@msn.com
To: MetPhys@aol.com
Subject: Pi, Star of Bethlehem, Magi, Astronomy, Archeology (susoni)
Date: 12/17/02
b) 720 is also the numbers of hours in one month (30 days).
3 times 720 = 2160 which is the number of years in an "Age".
4 times 720 = 2880 which (aside from being the speed of my modem) is also the number of minutes in two solar days. "2" becomes relevant because it implies "duality" which suggests.....................
2) the place where spirit and matter join or separate.
3) the place where "geocentric" and "heliocentric" meet.
4) the place where the mundane meets the miraculous.
5) the place where two ages meet (Aries and Pisces)
6) the place where two "great years" meet (see main page)
7) the place where "mind" and "heart" combine.
8) the place where the compass directions merge (north/south - east/west)
9) the place where physics meets metaphysics ...... the place where Man meets God
720/2 = 360 =full circle
720/3 = 240 = too thick to think of any correlations here (duh ten days?)
720/4 = 180 = half a circle and duality implied again
720/6 = 120 = two hours!
720/7 = 102 . 857142857142 = them third movements again that go round one cycle, swap (reverse) and go round the inversion cycle.
720/8 = 90
720/9 = 80
720*2 = 1440
720*3 = 2160
720*4 = 2880
720*5 = 3600
720*6 = 4320
720*7 = 5040
720*8 = 5760
720*9 = 6480
1440 = octave
2160 = 5th
2880 = octave etc
1440 = F# - 47 cents
2160 = C#/Db - 45 cents
Lui
To: MetPhys@aol.com
Subject: The Circle as Intrinsic, Absolute Measure, EM and Music (Luigi)
Date: 12/17/02
The 3rd flow is between them and seems to be the neutral.
The 2nd flow is moving bottom to top. >>
second line (Dorian/Dorian) = G#
third line (Phrygian/Ionian, being the first line's modal relationship swapped over) = A#
fourth line (Lydia/Locrian) = B (this is one of only two visible invisible tri-tone points and is a clue to the perfect symmetry residing at this point)
fifth line (Mixolydian/Aeolian) = C#
sixth line (Aeolian/Mixolydian) = D#
seventh line (Locrian/Lydian) = E# (F)
To: MetPhys@aol.com
Subject: The Circle as Intrinsic, Absolute Measure, The 45 Degree Angle (MetPhys)
Date: 12/17/02
To: MetPhys@aol.com
Subject: The Circle as Intrinsic, Absolute Measure, The 45 Degree Angle (susoni)
Date: 12/17/02
Tree of Life (GIF)
To: christian.lange2@tin.it
Subject: The Egg with Logarithmic Spiral and Anu GIFs (MetPhys)
Date: 12/20/02
Date: Thu, 19 Dec 2002 15:28:56 EST
Subject: MetPhys- The Egg with Logarithmic Spiral and Aun GIFs
To: christian.lange2@tin.it
To: christian.lange2@tin.it
Subject: Lucy Tuning- Pitch, Pi, and Other Musical Paradoxes (MetPhys)
Date: 12/21/02
